3/22/2009

Caseus Archivelox: Cat People

2002-03-19
About two minutes after they were married, I immediately thought, “Irena and Oliver are not having sex.” It was really obvious. The fun of the movie is that Irena is completely uncomfortable being intimate with Oliver, and yet he still does not understand why she feels uncomfortable with him. The fact that we never see the transformation increases the sense of Irena not really turning into a panther, even as Tourneur includes slight references to “The Wolf Man” with the following of the dirty footprints leading to the conclusion that Irena (or in “The Wolf Man”, Larry Talbot) turned into the cat (wolf) and killed the sheep (the gravedigger) and almost killed Alice (Gwen). Since the movie was made just one year later than “The Wolf Man”, it is unlikely that this was just a coincidence, especially as they both deal with characters that allow their inner instincts or fears to manifest themselves in changes in appearance.

In “Cat People”, the desire to cure themselves from their monstrous condition is just continued from earlier films, like “Dracula’s Daughter”, but in this case, the interesting thing is that the “other” woman and her husband conspire to send her to a psychiatrist who falls in love with her and eventually leads to his and her downfall. As a result of her fear of sexual contact with her husband, a conjugal right, he feels the need to separate himself from her and find a woman more conductive to his masculine desire in Alice, but he does not understand that Irena loves him and becomes jealous as it becomes more and more blatant that he is sleeping with Alice (even as the Hays code would not allow adultery on screen, film viewers have to imagine the adultery that is clearly occurring as Alice and Oliver sit in dark rooms alone all night).

The movie itself is hardly a horror film, as it is a more interesting psychoanalytical look into female frigidity and jealousy. But the entire movie is about that, as there are few wasted lines or unnecessary scenes (except for that dream sequence with the animated cats) and it is very well structured for a short movie. Very few films today are as well put together, even if they are ultimately better, as some of the earlier horror-type films that are very short (something from which bloated Hollywood blockbusters such as “Titanic” or “Pearl Harbor” could learn).

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