Encounters at the End of the World, You're Gonna Miss Me, Everything's Gone Green, Starter for 10, Dynamite Warrior, Bad Guy, & Cryptonomicon

Encounters at the End of the World is a Werner Herzog documentary (which I saw some time ago, but forgot to review) about how crazy everyone who spends time on Antarctica is. So it's basically a typical Herzog documentary: fascinating. I think that this one may have ventured a little far into sneering contempt for his subjects, as a number of times, he just starts to talk over them. A little disrespectful, especially when he says that they tend to ramble on. Of course, those bits of Herzog being an ass is to be completely expected. It's the parts where he just allows the awesomeness of Antarctica to show, like following the penguins or the below ice scuba diving. Those more than make up for that, and this is a great piece of filmmaking, certainly worthy of consideration as one of the best documentaries this year.

You're Gonna Miss Me is about Roky Erickson, lead singer of the 13th Floor Elevators, the creators of Psychadelic Rock, and, as far as I know, the only band with an electric jug. He was also a huge drug user, and, as an example against those damn hippies, was arrested for possessing a tiny bit of marijuana. His lawyer had him plead insanity, and then he went into a horrible maximum security hospital where everyone else there was a murderer or a rapist, and stayed there for a few years. After finally being declared "sane", he still made some good music through the 70s and early 80s, until his mental problems (that were present well before he became famous) started to make him utterly insane. Clearly a case for serious medical help, his mother (who is crazy and was also traumatized by Roky's drug use and doesn't trust drugs, doctors, or her husband (who may have sexually abused Roky and his four brothers...)) refuses to get him the help he clearly needs. Finally, Roky's youngest brother fights for custody of Roky, and cleans him up and within a year, he's a somewhat functioning member of society. There are some bonus features on the disc that further flesh out the post-movie story: Roky played Austin City Limits in 2005 (and was introduced by that asshole Kinky Friedman), and in 2007 was declared sane enough to be released from custodial care. Of course, his youngest brother has gone slightly crazy, and now denies that there's anything mentally wrong with someone who's declared "schizophrenic" and that drugs don't help. He and his friend, a crazy "doctor" John Breeding, have a bit where they rant about how psychiatry is bull and that mental illness doesn't exist. It was a little hard to follow their "logic", as they were utterly insane. The film, beyond the interest of the story, was full of some pretty good music, although I just wanted the filmmakers to force Roky to clip his nails. Some of them were creepy long. Anyway, I'm very happy that Roky's healthy again, even with all the barriers he had to have others break through.

Everything's Gone Green is a Douglas Coupland script, who is someone I've heard much about, but never actually read any of his writing. This is a slightly smug look at a group of Vancouverites who are all trying to find their place in society, one works as a photographer and writer for the BC lottery interviewing those who've just won the lottery, his best friend is a pot grower, another works as a golf course designer, and another works as a location scout for films. It's kind of hokey, there's nothing particularly brilliant about it, it's a hugely critical of capitalism, and about the only thing I found noteworthy was it's cultural criticism of filming in Vancouver and trying to pass it off as Phoenix or California or some other place it obviously isn't. I mean, the film isn't bad, and it's watchable, but it's just nothing particularly amazing.

Starter for 10 is set in England in 1985, and is about a guy who goes off to college, knowing a crazy amount of useless trivia and wants nothing more than to join the University Challenge team. And his love triangle between the hot blonde on the team and the Jewish student he met the first day at Bristol University. I identified with Brian (played by James McAvoy with an appropriate mix of awkwardness and comfort), and thought the movie was an enjoyable film, that didn't have much to say about much. Apparently, the novel it was based on is much more about class and the non-big three characters are far more fleshed out, which probably would have helped the film a bit. But the best thing about the film was the soundtrack. A great collection of 80s rock, from many songs from The Cure to Echo & the Bunnymen, New Order, Yaz, The Undertones, The Psychedelic Furs, Tears for Fears, and the Smiths to The Buzzcocks and Motörhead. Just a great soundtrack.

Dynamite Warrior is a Thai film that has the martial arts choreographer from Ong-Bak. That has to be why I added it my Netflix queue, right? It's cheesy and over the top (the hero rides into battle riding rockets and, oh yeah, it's set in the 1850s). And the final battle ends with the hero punching the bad guy, who's on fire and being pulled up a rope, in the stomach, knocking him into a tractor, which then explodes. That gives you some idea of how subtle the film is. Sigh.

Bad Guy is a Kim Ki-Duk film, and it's very depressing. Would she really just accept being turned into a prostitute and then fall in love with the guy who forced her into selling her body? Also, there are streets in South Korea where prostitutes just line up and brow beat men into paying for sex? Doesn't this go against everything I know about this culture? Where an actress was just convicted of adultery (seriously, backwards ass country alert), you're telling me prostitutes can just be really obvious on the streets? I never understood why they can do something so obviously illegal in public and not get caught. Not that I think this should be illegal, but my feelings on prostitution and marijuana are basically: legalize it and tax heavily. Because there's a lot of money to be made, plus, neither of them is particularly dangerous unless you keep them illegal.

Cryptonomicon is a Neal Stephenson novel about codes and codebreaking. It's set in both World War II and the present day (as of the late 90s when it was written). Being a huge math and computer nerd, unfortunately unskilled in complicated math and computers, I found it really up my alley. My huge amounts of knowledge of World War II (seriously, I read so many books way back when) still mean that I have a soft spot for that section, and so both sections were very interesting. Plus, the pot shot taken at Reagan was fun. I very much loved the book, and it almost makes me want to read the Baroque Cycle, but I think I'm going to stick with borrowing Snow Crash. If you have my relatively weird combination of interests, Cryptonomicon will be absolutely perfect, but I can definitely see how some wouldn't enjoy it. For some reason, my dad read the review in the Times and bought it many years ago, and still hasn't gotten around to reading it, but I borrowed and read it.